Politics are arguably the most annoying thing in existence (if one overlooks lukewarm coffee and knee-deep mud), yet they can make or break a novel.
As far as I’m concerned, there are two types of politics: personal opinions expressed by people in their everyday lives and all types of government.
Most books steer clear of government-driven politics, but they all take advantage of the other kind. After all, it’s emotion that ties us to stories. There is, however, a whole genre of books that wouldn’t exist without warped versions of government politics: dystopian. Continue reading
Very early sketch of the city’s two halves.
My excitement with this novel has yet to wear off. I’m currently editing the fifth draft, preparing it for my test-readers.
Two Kinds of Darkness began as a tiny idea that struck me two and a half years ago. It was a question that came to me while sitting on a sofa during a young writers’ group and staring at a blue wall. The question was this: “What if someone could only see the color blue?” Continue reading
Electoad– the electricity producer
Some writers have a specific genre or style that they love to use. For me, it really depends on what I’m writing. I love experimenting– I’m like a crazy artist playing with mediums. But some genres don’t appear to like me. For instance, if it’s modern realism, anything longer than a flash piece sort of… well… morphs into fantasy.
Fantasy ≠ modern realism. Yeah.
I have several theories as to why my unconscious writer-mind appears to be smitten with fantasy: it could be the ability to bring in flying carpets or sea monsters when things ‘go bad’, or maybe it’s the free pass to ignore the laws of physics, but most likely it’s the ability to create my own creatures. Continue reading